Membership Matters
Article
An Interview with Etan Rosenbloom
By Liz Leshin

Etan Rosenbloom is a blogger on 91直播history, a lifelong Angeleno, and a new 91直播Conservancy member! His blog 听follows his journey to visit all of the 91直播County landmarks listed on the National Register of Historic Places.
He has graciously shared his 鈥91直播story鈥 with us and explains how the Conservancy鈥檚 resources have enriched his life and work.
As a lifelong Angeleno, tell us a bit about where you are from and what sparked your passion for Los Angeles history?
My family lived in Silver Lake in the early 鈥80s, back before it was hip. My parents like to tell the story of the unstable neighbor next door who enjoyed throwing statues into our pool! We moved to Altadena when I was 4, where my parents still live. After college, I moved into the infamous Alexander Ruler of the World apartments, right across from Paramount Studios 鈥撯疘 was 鈥渓ucky鈥 enough to move in just a couple of months before the owner started painting it dark magenta. Since then, I鈥檝e lived in Echo Park, Highland Park, and now Valley Village.
Whenever I moved to a new neighborhood, I would read a book or two about local history.鈥疊ut my passion for Los Angeles history really took off in September 2021, when I launched my听听(more on that later). As I dug into the backstories of the LA landmarks I was visiting, it became clear very quickly that there were giant gaps in my knowledge of how this city became itself. I鈥檝e been hooked ever since.
How did your love of 91直播history and听听motivate you to join the 91直播Conservancy?
It felt natural to join an organization that does so much important work educating people like me about 91直播history. The endless resources on your website and social media feeds have informed my blog, Etan Does LA, and helped to make connections for me that I might not have made on my own. For that alone, the cost of membership is far more than worth it! My first year of membership was a gift from my mom for my 40th birthday. Couldn鈥檛 have asked for a better present.
Last Remaining Seats was actually how I first heard of the 91直播Conservancy. Back in 2014 a good friend of mine invited me to an听Last Remaining Seats听screening of听Citizen Kane听at the Orpheum. I had never seen the film before, so to be able to see the genius cinematography and all that incredible visual framing on the big screen was an absolute privilege. Plus, I was seated in the balcony 鈥 so I quite literally had a different perspective of听Citizen Kane听than most people will ever get!
Why do you think it鈥檚 important for folks to experience classic movies inside historic theatres?
Going to a movie in a theatre is a wholly different experience than streaming it at home, no matter how immersive your system is. I love the idea of moviegoing as an听experience, something you get dressed up for, something as exalted as seeing a play or a concert, something you talk about before and after the film is over. That experience is enhanced immensely by being in a theatre as dramatic and artful as what鈥檚 on screen. It encourages you to engage with the building and its history, and also gives you a sense of what moviegoing was like back before we all had 4k TVs.
Tell us about your blog and what prompted you to start it.
My blog,听, documents my quixotic attempt to visit each of the Los Angeles landmarks on the National Register of Historic Places (there are around 600 of them). It started off in September 2021, a time when the pandemic had me feeling pretty disconnected from my city, and I was looking for a safe way to feel like a part of it again.
I was setting off on a short bike ride to the听in Burbank, and figured I鈥檇 look up a bit of information about it first (fun classic movie fact: the Portal features ornate sculptures by听, who designed the epic Babylonian sets in DW Griffith鈥檚鈥Intolerance). I noticed the Portal was listed on the National Register of Historic Places, which got me thinking about all the other things that might be on the list. If a lifelong Angeleno like me has never heard of many of these places, I bet I鈥檓 not the only one, right?
What started as a few photos and a few sentences of history for each site, posted on听, has expanded to a website with written histories, videos, and photo galleries. I鈥檝e visited eyepopping modernist homes and humble post offices, missions and bridges, fire stations and funeral homes, craftsman bungalows and Hollywood high-rises, churches and adobes, plus playgrounds, libraries, Civil War-era mountain passes and of course, historic theatres. Every single visit fills in a detail about Los Angeles history that I didn鈥檛 know, and more often than not, learning about one site will send me down a joyous research rabbit hole. Like, when you learn that Grammy-winning record producer Joe Henry owned听听home for over a decade, you want to know which albums he recorded there, yeah? And if you can hear anything craftsman-y on those records?
How is the Los Angeles Conservancy a resource for you, as well as Angelenos in general?
I do a lot of research on 91直播landmarks for my blog posts and videos. The information you find online is often too poorly researched to be reliable, or so impenetrably dense with facts and figures that it鈥檚 hard to decide where to start. The 91直播Conservancy鈥檚 backgrounders on historic sites and architects are consistently the most accurate and concise that I鈥檝e found. They鈥檝e helped deepen my understanding of the importance of the buildings I visit, and they ground each site in aesthetic and social contexts.
I reference your website all the time in my blog posts.
It鈥檚 super important that Angelenos experience L.A.鈥檚 history as听living听history. Buildings change over time, and old ones continue to be relevant to different communities in different ways. So I value all the programs that the 91直播Conservancy offers to help people engage with historic sites 鈥撯痺hether it鈥檚 your regular walking tours, Last Remaining Seats, or one-off events like the Griffith Park 125th anniversary celebration last year. I went to a couple stops on that, learned a ton, and met some fellow 91直播history buffs that I鈥檝e kept in touch with.
I also love how the Los Angeles Conservancy comes into all of this with a preservation mindset. That wasn鈥檛 necessarily the outlook I had when I embarked on my project. But I鈥檝e come to understand how fragile history can be, even when it鈥檚 embedded in massive buildings of brick and steel! And the 91直播Conservancy plays such an active preservation role 鈥撯痭ot just through education and advocacy, but also by holding conservation easements. I recently posted about听, which was bought in February by a developer who we听hope听will invest in a complete restoration. The easement that 91直播Conservancy holds on that home is a vital way of preserving its integrity and holding the owner accountable, so that the public can learn from this building for generations to come.
Do you have a favorite historic theatre in Los Angeles and/or a favorite Last Remaining Seats experience?
It鈥檚 a tossup between the听, and the Alex Theatre in Glendale. In addition to its swoonworthy architecture, the Mission Playhouse was built as a permanent home for a single production, the听Mission Play, a three-hour epic about the history of the California missions, written by听LA Times听columnist, poet and politician John S. McGroarty. I love the idea of an entire building constructed to house a single work of art!
The Alex Theatre just screams听classic听with every fiber of its Greek/Egyptian-inspired look, and that giant floral spire erupting from its marquee. I鈥檒l admit it though, this is a nostalgic pick鈥y high school graduation was held at the Alex Theatre. I wore a skintight silver disco outfit and performed Chick Corea鈥檚 鈥淎rmando鈥檚 Rhumba鈥 on piano onstage. The Alex hasn鈥檛 been the same since.
As for my favorite听Last Remaining Seats听experience, I have to say that听Blade Runner听in July 2022 stands out. It鈥檚 not just a classic sci-fi film, it鈥檚 a classic听Los Angeles听sci-fi film. It was so fun to spot famous LA landmarks like Union Station, the Bradbury Building and the Million Dollar Theatre in the film, especially at a time when I鈥檓 thinking a lot about how we use and reuse old buildings. And I was sitting at the Orpheum Theatre, just blocks away from all those spots! Unforgettable.
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